Sherlock: The Abominable Bride

Okay let’s get this out of the way right now shall we?  I love Jeremy Brett’s version of the famous detective and have steered clear of Benedict’s rendition for a few reasons which I shall name later.

When I saw the trailer for this one-off special, I was delighted to see it was to be set in the Victorian era (despite the Suffragette movement being founded in 1903), oh joy.

Imagine my surprise therefore when I found it wasn’t.  But was it?  No, it wasn’t.  But maybe…Okay guys, I think you over did the flash-back/mind palace plot device here, I got it quite quickly as I’m sure most of us did.  It’s a shame as I was getting into the story and the idea of linking it with the Suffragettes was an interesting one.  The concept of using Mary to basically drag our intrepid duo onto the right track felt poorly thought out though.

It left me thinking that Sherlock was a blusterer prone to jumping at the wrong conclusion just to show how good he is.  And now I come to the reason why I don’t watch most versions of Sherlock Holmes.  Those who adapt Conan Doyle’s stories centre on Holme’s abruptness.

When you read the stories however, you come to understand that he is a more rounded character than his acidic side seems to suggest.  He is quite capable of compassion, calming overwrought witnesses and winning over people to get the next piece of data.

To me, Holmes is prone to moments of theatre, incredibly vain (which certainly goes against his purely logical, non-emotional brain we are led to believe), sometimes vulnerable, observant like no other man before or since, harsh of himself and others and briefly joyous.

Jeremy Brett’s version shows Holmes’ patient side, his brotherly love with Watson as well as his confidence that goes beyond arrogance.  This is more to do with the writers than the actors.

Getting back to the show, Benedict’s performance is exceedingly good and I can see why people watch him.  He is ably assisted by Martin Freeman but I’m not going to watch a show entirely based on the actor’s performances.  The writing on the other hand, while full of brilliant touches, left me feeling confused.

Overall then, I liked the Victorian setting and the suffragette movement plot twist.  The ‘mind palace’ and the addition of Moriarty were unnecessary.  Looking back at this review, it feels like it is vitriolic in nature.  It’s not like I hated the special, I just think they could have done a better job.

Additional:  Avid followers of the series, please can you answer this question for me; is Holmes solely based on his sharp manner or is there more to him than what appeared last night?

And Then There Were None, Part 3; The End

Well, what can I say except that my prediction was correct.  This was a truly absorbing drama.  Just when you think you have a character down a new piece of information is revealed which sheds a whole new light.  They are not the picture of innocence but are just as guilty as the rest of them.  I can see why people consider this to be Agatha’s best work. I can tell you now, if you’ve not read the book, you are unlikely to guess the killer.

Throughout the last episode the same mental torture chases after it’s victims.  This series, my friends, is not for the fainthearted.  It is gruesome, bloody and will make you think twice about going to an island with nine strangers.

Both Agatha Christie and indeed the writer who adapted it for the screen, Sarah Phelps, should be commended.  It isn’t just excellent, it is downright fabulous.

So, to finally put you out of your misery, I will reveal who the true killer is.  The one person who has been methodically slaughtering the others, sometimes in a bloodless way, other times not so much.  Our friend, the killer is

“Hey, how did you get in here?  You can’t possibly exist, you’re not real.  What do you think you’re doing?”

I back away from the computer slowly.

“Look, it’s not what you think, I wasn’t really going to tell them, it’s just a big joke.  End on a cliffhanger, that sort of thing.”

I laugh nervously.  The look in their eye is menacing.  They’ve done it before, they would have no trouble bumping me off too.  I look around hoping to catch sight of a weapon, even something to defend myself.  The first thing that comes in sight is a pillow.

‘A pillow?  What am I going to do with that, batter him to death?’ I think.

Then it hits me, the pen.  That which I had used to create my own stories has been used to end mine.  Turning, I look down and see the silvery glint as the shaft catches the light.  I can feel the other end stuck in my throat.  Air tries to push it’s way past, but it isn’t happening.

The last thing I see is the killer writing on the page I had been working on.  One word, designed to obfuscate, to confuse unless you knew what it meant.

Justitia.

 

And Then There Were None, Part 2; The horror continues

It seems to me that this mini series is erring on the side of mental torture and horror (quite the obvious statement if you’ve seen it, I know).  Each character despite their surface appearances (and isn’t this a classic portrayal of the stiff upper lip from that period?) are haunted by their past deeds.  We are treated, if that is the correct word, to the Doctor’s particular horror in the first episode where we see a hospital trolley, a body covered with a sheet & liberally splashed with blood.  Clearly such a scene will haunt even the hardiest of souls.  Which is exactly what we have seen in this episode.

Interestingly, two of the characters have come to accept their fate.  Perhaps they are tired of living out their pasts and want to let it go.  They know that their time is up and will not resist.  For those who are left, fear grips time and again bringing finger pointing to a new level.

A weapon has gone missing and the remaining characters resort to searching all the rooms together.  Trust has been shattered as each person strives for survival.  Only Charles Dance’s character seems unperturbed by what is happening.  Perhaps because he has already lived his life.

Of the remaining cast, three could be classed as respectable members of society; a judge, a doctor and a policeman.  Dare we dismiss them from our list of potential candidates for killer?  I think not.

Who do I think is the killer?  I think I’ll keep my guess close to my chest for now.  If it’s one thing I’ve learned from Agatha Christie, it’s never who you think it is.